MARINA PICCININI

Hailed by Gramophone as “the Heifetz of the flute,” MARINA PICCININI is widely recognized across the world as a daring, dynamic artist with varied musical interests. She is internationally-acclaimed for her interpretive skills, intensely communicative performances, technical command, and powerfully magnetic stage presence, with a distinct and global perspective that informs her work as one of the most compelling advocates of both traditional and new works. Much sought after as a soloist, chamber musician, and recording artist, she has garnered special attention for her commitment to the music of our time and for expanding the repertoire of her instrument.

Growing up in a multi-national, multi-lingual household brimming with Italian, Brazilian, and Swiss cultural ties, and having resided in the far-flung locations of Sao Paulo, Zurich, Newfoundland, Toronto, New York City, and Vienna, the flutist brings the vibrant spirit of her rich heritage to all of her artistic endeavors. Ms. Piccinini’s artistic tapestry is also woven with threads both musical and non-musical, ranging from her love of Bachian intricacies and her talents in the visual arts, to her dedication to kung fu and Buddhist thought. As a 36th-generation Shaolin Fighting Monk, she relishes an ideology that inspires self-discovery, discipline, finding joy, and having no limits – all of which she brings to her instrumental artistry.

Ms. Piccinini’s repertoire is among the most diverse of today’s preeminent artists. Collaborating with some of the foremost living composers, she has commissioned and premiered works by John Harbison, Lukas Foss, Michael Colgrass, Paquito D’Rivera, Matthew Hindson, Michael Torke, David Ludwig, and Roberto Sierra, among dozens of others. These projects have taken her across multiple continents, including a tour with her most recent work, a rapturously received flute concerto written for her by Christopher Theofanidis The Universe in Ecstatic Motion premiered at Grant Park Music Festival and traveling for the next several seasons with co-commissioners the Aspen Music Festival, Buffalo and Erie Philharmonics, and Boston Modern Orchestra Project (BMOP).

Other recent premieres include a concerto by Pulitzer Prize–winning composer Aaron Jay Kernis, with the London and Rochester Philharmonics, Chautauqua and Detroit Symphonies, and recorded for Naxos with the Peabody Institute Orchestra conducted by Leonard Slatkin, and a short solo piece Siren, Kernis also wrote for her – commissioned by the Seattle Chamber Music Society. Upcoming is a double concerto by Kalevi Aho for Marina and Vienna Philharmonic Principal Harpist Anneleen Lenaerts, and a concerto by Tebogo Monnakgotla.

Recent and upcoming season highlights include a return engagement with the London Philharmonic conducted by Dennis Russell Davies for a recording of Miguel Kertsman’s Flute Concerto; the World Premiere of Kernis’s “Air” for flute and orchestra with the Korean Chamber Orchestra conducted by Patrick Gallois at Seoul Arts Center; tours with Musicians from Marlboro, including concerts at Carnegie Hall, Philadelphia’s Kimmel Center, The Smithsonian in DC, and Boston’s Gardner Museum; an upbeat cross-cultural program with Sergio & Clarice Assad at The Schubert Club and University of Chicago Presents; collaborations with the Brentano Quartet, the Beijing Guitar Duo, and with Harpist Anneleen Lenaerts at the Aspen Music Festival, and The Bruckner Orchester Linz, Austria and at the Moritzburg Festival in Dresden; a North American recital tour with pianist Andreas Haefliger at the Kennedy Center, Rockefeller University, Dallas’s Nasher Sculpture Center, and in Akron, Ohio; and appearances with guitarist Meng Su in San Francisco’s Herbst Theatre. Her trio, Tre Voci, appeared at London’s Wigmore Hall, premiering a new work written for it by Toshio Hosokawa, and in Mexico City, Philadelphia, Boston, Los Angeles and beyond.

With pianist Andreas Haefliger, Piccinini is co-founder of the brand new Zauberklang Festival (the magic of sound) presenting classical music in the mythical birthplace of William Tell (Bürglen, Switzerland); its inaugural season features performances with leading artists Hilary Hahn, Ian Bostridge, Anneleen Lenaerts, and Avi Avital.

Acclaimed for her “intent, glittering musicianship” (Sunday Times [London]), she is a familiar and much-admired figure at the world’s foremost concert venues. She has appeared as soloist with the Boston, Hong Kong, Vienna, Montreal, Vancouver, Tokyo, Saint Louis, Montreal, Toronto and National Symphonies, London and Rotterdam Philharmonics, and Ravenna Chamber Orchestra, and has worked with some of the world’s most celebrated conductors, including Esa-Pekka Salonen, Seiji Ozawa, Kurt Masur, Pierre Boulez, Myung-whun Chung, Gianandrea Noseda, Jukka-Pekka Saraste, and Alan Gilbert. She has also performed with the Tokyo, Mendelssohn, Pacifica, and Takács Quartets, NEXUS percussion ensemble, and the Beijing and Brasil Guitar Duos. A regular partner of pianists Andreas Haefliger and Mitsuko Uchida, she is a longtime Resident Artist at the Marlboro Festival, and performed at Japan’s Saito Kinen Festival at Ozawa’s personal invitation.

A prodigious recording artist, she can be heard on the Avie, Claves, and ECM labels, including Tre Voci’s debut CD of works by Tōru Takemitsu, Claude Debussy, and Sofia Gubaidulina; a DVD of Schoenberg’s Pierrot Lunaire from the Salzburg Festival, along with an accompanying documentary entitled Solar Plexus of Modernism; Bach’s complete flute sonatas and solo partitas with the Brasil Guitar Duo; the flute sonatas of Prokofiev and Franck with pianist Andreas Haefliger; and Belle Époque, with pianist Anne Epperson; sonatas by Bartók, Martinů, Schulhoff, Dohnányi, and Taktakishvili; and an acclaimed recording of her dazzling new arrangement of the Paganini Caprices (published by Schott Music).

Her intense commitment to education led her to create the Marina Piccinini International Masterclasses (MPIMC), which has inspired students for over a decade. She is currently on the faculty of the Peabody Institute of Johns Hopkins University in Baltimore, and was formerly Professor at the Hochschule für Musik, Theater und Medien in Hannover, Germany. She also regularly gives masterclasses worldwide in conjunction with her performances.

Ms. Piccinini was the first flutist to win the coveted Avery Fisher Career Grant. Her career was launched when she won First Prizes in the CBC Young Performers Competition in Canada and the Concert Artists Guild International Competition in New York City.

Marina Piccinini was born into a family of distinguished scientists. She studied with Jeanne Baxtresser and Aurèle Nicolet, and received her Bachelor’s and Master’s degrees from The Juilliard School, where she worked with the legendary Julius Baker.

“the Heifetz of the flute.” Gramophone

“The incomparable flutist Marina Piccinini. When she plays the flute, you're left wondering how there can be so many ways for a human being to breathe.” Washington Post

“[She’s] blessed with hypnotic interpretative gifts and flawless, unexcelled technical skills....she takes one's breath away... flute skills of such an order seem barely possible. A musical experience to treasure.” Music and Vision (New Zealand)

“Piccinini has emerged as one of the world’s preeminent solo flutists. In this rarefied world, she has clearly taken the place of such celebrated masters as Rampal and Galway.” Classical Voice North America